CO-ORDINATE REMOTE VIEWING (CRV) TECHNOLOGY 1981-1983

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The document discusses the Co-ordinate Remote Viewing (CRV) technology, which is a method used for psychic exploration. It mentions the different stages and developments of CRV, as well as its similarities to other models in physics and psychology. The importance of the ideogram, a basic unconscious human perceptual modulation, is also highlighted. The document concludes by mentioning the ability to isolate signal from noise, which has been a significant advancement in CRV. Examples of drawings and experiments related to CRV are also included in the document.

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Body:  Approved For Release 2000/08/07 : CIA-RDP96-00788RO01100520001-3
 CO-ORDINATE REMOTE VIEWING (CRV) TECHNOLOGY
 1981-1983
 BRIEFING
 4 August 1983
 8:30 am to Noon
 This material has been prepared solely for use as a briefing service.
 This material is proprietary, and may not be further reproduced in
 any form.
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 COORDINATE REMOTE VIEWING (CRV)
 I.   Introduction
 Exploration and development of co-ordinate remote viewing (CRV)
 has gone through many phases:   from random experimenting in 1974 ultimately
 to its substantive contents now isolated into a primary, but standardized,
 training course.
 Based strictly upon the increasing success of trainees, it is anticipated
 that the CRV procedures will continue to increase in value as a practical
 applications tool.
 EPOCHS OF COORDINATE REMOTE VIEWING (CRV)
 R&D
 1.
 EXPLORATORY
 1972 TO 1975
 2.
 INTERVENING AREA
 1974 TO 1976
 3.
 PROBLEM OF SIGNAL vs NOISE
 1976 TO 1978
 4.
 FUNDAMENTAL PERCEPTUAL STUDIES
 1977 TO 1979 AND CONTINUING
 6.
 ISOLATION OF THE IDEOGRAM
 1979
 6.
 TRAINING/LEARNING
 1980 - PRESENT AND CONTINUING
 7.
 INTENSIVE ENHANCEMENT
 1982 AND CONTINUING
 8.
 PROJECTION OF OPERATIONAL READINESS
 1983 AND CONTINUING
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 The co-ordinate: Why does it work?
 We are unable to explain in conventional terms why it is that the
 co-ordinate serves as a stimulus in the manner it does.    Yet, as observed,
 utilized through the methodologies that have been developed, it works with
 remarkable precision.
 EXAMPLE:
 25? 35' 34.65' N
 36? 2' 21.25" E
 = AIRFIELD
 TRAINED VIEWER SAYS "AIRPORT"
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 3.  The CRV technology differes from standard parapsychology
 The CRV methodologies utilize comprehensions derived from studies of
 basic perceptual qualities.    These have not been incorporated into the
 standard statistical approaches commonly utilized in parapsychology  in other
 past and present research centers.
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 INTERVENING AREA MODEL EXPANDED
 ~-T-~         INTO COMPONENTS
 INTERVENING AREA
 ABSTRACT-MEDIATED
 // I \\
 ACT/PROCESS IMAGINATION     ISOLATING          COMMON      IDEA/CONCEPT
 PHOPEHTIES      FOHMATION
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 4.  Is CRV comparable to other known models?
 Correlations can be made with several models, both in physics and
 in psychology.  The model we prefer at the moment is the cosmogony of
 quantum physics offered by David Bohm.
 BOHM COSMOGONY OF QUANTUM PHYSICS
 (THE ENFOLDING-UNFOLDING UNIVERSE AND CONSCIOUSNESS)
 TIME AND SPACE
 (EXPLICATE UNFOLDED ORDER)
 In               /,.
 PRE-PHYSICS
 PRE-TIME AND SPACE
 (IMPLICATE ENFOLDED ORDER)
 V
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 EXPLICATE UNFOLDED ORDER
 ANALYTICAL THOUGHT
 MEANING ENCODED IN
 IMPLICATE ORDER
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 5.    The "Stages" of CRV
 R&D, aligned with training, have shown that "psychic" signals offer
 themselves up to interpretative consciousness through a predictable series.
 This series starts with "greatest" meaning, and evolves into "specific"
 components.
 This predictable process has easily yielding "stages" each of which,
 in training, can be specifically tutored.
 The training procedures are, however, of extraordinary delicacy and
 do not tolerate many "flubs."   Careful training eventually yields a strong
 skill.
 STAGE 1.    IDEOGRAMS AND IDEOGRAM
 PRODUCTION
 STAGE 2.    SENSATIONS EXPERIENCED
 FROM DISTANT SITE
 STAGE 3.    MOTION AND MOBILITY
 (LIMITED) AT DISTANT SITE
 RESULTING IN PRIMARY
 ARTISTIC RENDERINGS
 STAGE 4.    QUANTITATIVE AND QUALI
 TATIVE ASSESSMENTS OF
 VARIOUS DISTANT SITE
 CHARACTERISTICS
 SIGNALS THAT INDUCE/PRODUCE
 IDEOGRAMIC RESPONSES (GESTALTS)
 SIGNALS PRODUCING TACTILE, SENSORY,
 DIMENSIONAL ESTIMATES, DIRECTIONAL
 FEELINGS, AND SO FORTH
 SIGNALS PRODUCING AESTHETIC
 RESPONSES IN VIEWER, SIMPLE
 SKETCHES AND "TRACKERS"
 SIGNALS (MANIFOLD) THAT INDUCE
 ANALYTICAL COMPREHENSIONS
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 THE STAGES (Concluded)
 STAGE 6.  METHODS OF INTERROGATING     (STILL IN R&D)
 THE SIGNAL LINE
 STAGE 6.  CREATING 3-DIMENSIONAL       SIGNALS (CONSOLIDATED) THAT YIELD
 MODELS                       SIMPLE REPLICAS OF DISTANT SITE
 FEATURES
 STAGE 8.  HUMAN TO HUMAN INTER-        SIGNALS THAT IMPLY HUMAN PSYCHIC
 FACES (R&D, 1984/1985)       EMPATHY AND INDUCE/PRODUCE
 IDEOGRAMIC RESPONSES (GESTALTS)
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 SIAI.t  I
 (NONMATCHING)                                                                        I "''I  f
 I /              ~r"~. I  I  I                                                       `N
 CONWDUSNESSS
 / IMI  tAIt111t1'11.t1
 (DECISION MAKING)                                                          STAGE 4-5-6
 I       /         AOL (MATCHING)
 AOL
 (MATRIX)
 OPEN-ENDED
 I MINUTE TO 30 MINUTES
 I TO S SECONDS
 i/ISO UCOND
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 6.  The "signal" vs. the "noise"
 Isolating signal from noise, and determining the characteristics of
 noise, was a successful advance during 1978-1979.  As a result of this
 new knowledge and understanding gained, it became possible to isolate
 and study "signals" in a relatively clean area of inspection.  Without this
 advance, none of the successive comprehensions of the signal line would have
 been possible.
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 %\
 In1Y1N4~oilY
 100 kW INPUT, 10 kW OUTPUT CO2 LASER,
 DESCRIBED AS "LIKE A CREMATORIUM"
 ?I~y,                                                 p, OUllul
 Fig. 1. Diagram of discharge and optical path rgioa
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 15
 The Ideogram
 The discovery of the "ideogram" and comprehension of its importance
 and meaning is perhaps the most significant occurrence in all the CRV work.
 Basic understandings of the ideogram are found not only in our own
 work, but also in several other fields that have concentrated upon the
 microgenic basis of perception and semantics and meaning.
 The ideogram is not unique to the work in CRV.  An historical search
 of parapsychology, psychical research, semantics, clinical neurology and
 artistic disciplines adequately support the premise that the ideogram
 is the result of a basic unconscious human perceptual modulation.   In
 psychical research in particular, the presence of the ideogram is recorded
 as early as 1882, but its significance was not grasped.
 FUNDAMENTAL PERCEPTUAL PROCESSES
 (STUDIED IN SEVERAL FIELDS OF ENDEAVOR)
 ?  BASIC CHILD-LEARNING PROCESSES
 ?  ABORIGINAL PERCEPTUAL CHARACTERISTICS
 (A BRANCH OF ANTHROPOLOGY)
 ?  PSYCHIATRIC AND PSYCHOTHERAPEUTIC ANALYSIS
 ?  NEUROLOGICAL STUDIES (APHASIAC RECOVERY)
 ?  SUBLIMINAL STUDIES AND METHODOLOGIES
 ?  TACHISTOSCOPIC STUDIES
 ?  SUBCONSCIOUS MEANING OF WORDS AND IMAGES
 ?  CREATIVITY STUDIES
 ?  ARTISTICS DEVELOPMENT
 ?  GESTALT FORMATIONS
 ?  FUNDAMENTAL AESTHETIC PROCESSES
 ?  IDEA FORMATION
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 PATIENT SUFFERING FROM VISUAL
 AGNOSIA:  ATTEMPTING TO SKETCH
 A HEXAGON (AT THE TOPI
 0
 TOP PART SKETCHED FIRST,
 BOTTOM PART SECOND
 Sown:  ^&W, AMUrWro, "Dirintpro.on trod
 rtvaontion of optic rocoyrwtion in
 visa ognua," Archwn of Nwroloov
 CM hvchwtrv, Vol. St. p. 243, 1044.
 TELEPATHIC IMPRESSION OF A
 DIAMOND RECEIVED BY A SUBJECT
 OF RENE' WARCOLLIER
 TOP PART SKETCHED FIRST,
 BOTTOM PART SECOND
 Soora:                       Wnoollitr, Rorr', Mind to Mm d,
 Cronies Ap Pus, p. 32, 194a.
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 The Murrnle& Tal(fll4es
 perhaps the Most slnknlg Caw' of nu uorlplclahllo due III Jlusano,llr
 bias 1, Ilan III the ? ludplll. ? llgmc,, ealkd hmrrnl?, 11'rYr1(1 by the hl,n.h and
 Aufyhilr(er by the I:ermans.  '1 he pupldal view is 111,1 m these vcly rumo6nl
 drawing, 11w .h.IJ Icavcs ...At the bmlk cuhlcly. ,ud tllal III: cnulw?uusly
 ,lyric, lire u1,1,,  111  116? brad too  the legs    V.Iluns dlcul ws, have hccn
 dle,cd. 11w cidd ws hrlmv,'d Iu uvedul,k is, lulpel lilt burly ni cv.u it,
 "lepll'\\ ? II IIII leawlll, 111 Ilwndc,ly   11 we 11MIk at lhr JevcIujmw11i41 puwcs,,
 w d.aov'cr 11141 IMl \I1.h a'\plalbhull Is IM'l/lll.ln. suite in thew dlawnlg, the
 bunk ,dually I, 1611 1r11 u61.
 Al Ilw cattiest ,61ge site cucle ,lands loss the lulal hum,, llguue. IUs, as it
 v1a11d5 Is" us inauy Ilihel .I.I111111?Ie Ilbh?.Is  sales, 11, slops 1, dJlcarollalyd
 Ibrlwgl llw Addis  I uu1 appendage,.
 Source:  Arnhelm, Rudolf, Au A ad Visual Irccohun,
 U. of (allfornla, 1954, pp  197_19N.
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 EXAMPLES OF UPTON SINCLAIR-MARY CRAIG SINCLAIR
 SEALED ENVELOPE DRAWING EXPERIMENTS - 1928
 TARGET
 RESPONSE
 (SNOWING IDEOGRAMIC
 PERCEPTUAL FORMATIONS(
 FK. Ios
 F1. Ios,
 Fm Iub
 F's 106.
 I-ii Iu7
 h1 Iu7.
 44
 Snrv~
 h1. lint
 Fq. IUI
 "TIn. IunKhur blk"W Iu$tlhtl b.I -i