REMOTE VIEWING SESSION 890

CIA-STARGATE

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Open AI Summary

This document is a summary analysis of a remote viewing session conducted for training purposes. The protocol used for this session is described in the document "GRILL Viewing Protocol". The session involved a viewer attempting to locate an individual based on a photograph. The post-session analysis indicated that the viewer had very little or no correlation. The transcript of the session reveals that the viewer described spires, a tall cement building, a lamp post, and a large official building with many stairs as the location of the individual. The viewer also mentioned a bar or restaurant with a male Spanish dancer, possibly in a hotel. At 11:00 PM, the viewer described the individual in a white shirt in a motel room, with an informal atmosphere suggesting a business meeting. The viewer also mentioned that the individual appeared to be the host, entertaining others in their area.

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Body:  Approved For Release 2000/08/07
 INSCOM
 GRILL  FLAME
 PROGRAM
 6-00788RO01 400340001 -0
 CLASSIFIED BY: MSG, DAMI-ISH
 0516302 JUL78
 REVIEW ON:              t
 NOT RELEASABLE TO FOREIGN NATIONALS
 GRILL FLAME
 Approved For Release 2000/08/             - 0788 R001400340001-0
 CF1 rT
 Approved For Release 2000/0   , ?         6-00788 R001400340001-0
 SUMMARY ANALYSIS
 REMOTE VIEWING SESSION 890
 1.   (S/NOFORN)   This report provides documentation of a
 remote viewing session conducted for training purposes only.
 2.   (S/NOFORN)   The protocol
 Prused for this otocol, AMSAASAppl~ediRemoteiled
 in the document GRILL Viewing Protocol (S), undated.
 3.   (S/NOFORN)   Post session analysis on target viewing
 indicates the viewer had very little or no correlation.
 4.   (S/NOFORN)   Following is a transcript of the viewer's
 impressions during the remote viewing session.   Target cuing
 was a sealed envelope containing a photograph of an individual.
 NOT RELEASABLE TO FOREIGN NATIONALS
 Approved For Release 2000/08/07 : CIA-RDP96-00788RO01 400340001 -0
 Approved For Release 2000/
 P96-00788RO01 400340001 -0
 TRANSCRIPT
 REMOTE VIEWING SESSION # 890
 #66:               This will be a remote viewing session 0900 hours,
 15 April,l982.
 The following is a pre-session briefing to the remote
 viewer.   At this time I provide you with an envelope.  On the
 front of the envelope are some targeting dates, which you
 don't have to pay attention to.  This is a search problem.
 graph
 roblem
 In this envelope is a photograph, is a 4X5 polaroid photograph
 of an individual.  Our task will be to locate him on 27 March 1970.
 The picture of this individual was taken in the 1967-68
 A-C
 time frame.  So I`use this picture to focus on this
 individual's location on 27 March, 1970.  Do you have any
 questions concerning your task for this morning?
 #32':          No
 #66:          All right, fine  Let's prepare yourself then for this morning's
 session.  Relax and concentrate now. Let's focus your
 attention solely and completely on the individual in the
 photograph in the sealed envelope I've provided you.  Focus
 solely  and completely on him, solely and completely.  Free
 yourself now to move through space and time through space
 and time to 27 March, 1970, 27 March , 1970.  You now can
 do and be with all your perceptors in 27 March, 1970.
 Focusing your attention now on the individual in the
 envelope, 27 March, 1970, describe his location to me.
 PAUSE
 #32:             Okay, the first quick impression is one of kind of, I don't
 what the word is , but there's umpteen spires, like a....
 #66:             Okay that's fine. Relax now and concentrate, relax now
 concentrate solely on the individual in the envelope and
 the sound of my voice.  Focus now on 27 March, 1970.
 Remember it's not necessary to be conversational.  It's
 not necessary to understand what you're perceiving.  Briefly,
 spontaneously, one,two and three word descriptions of the
 perceptions of the location on 27 March, 1970.  Focus
 now on the target.  Wait for the imagery and describe.
 PAUSE
 #32:            Now..... Citadel...there's a sidewalk and then there is
 a tall cement building, there's a lamp post and then
 it's just a huge official building, with many stairs,
 many cement stairs.
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 NOT RET,EASABIIE T'0 FQnl
 Approved For Release 2000/08/           96-00788R001400340001-0
 #66:
 Describe the time of day you're perceiving in.
 #32:
 It's ...2:00 o'clock.
 #66:
 All right.  Move to the evening hours, move to the
 h
 evening
 n
 ours
 hours, move through that day to the evening
 o
 27 March, 1970.  Relax now, relax and wait for the
 imagery
 i
 in the evening of 27 March, 1970.  Relax. Let go,
 ve.
 perce
 #32:          There's a bar or a restaurant, something about a person
 dressed up like a, like a, like a male Spanish dancer with
 Spanish black hat, Spanish vest and trousers.  This has to
 do with entertainment (mumble).
 #66:          Describe your surroundings to me.
 #32:          It's on the ground floor, a tall building, probably a hotel
 I guess, I don't know.
 #66:          Describe the structure to me.
 #32:          Be like a Hilton.
 #66:          Okay.  Move now to 11:00PM, 11:00 PM, 27 March, 1970.  Move
 to 11:00 PM, 27 March, 1970. and describe the individual's
 location to me.
 PAUSE
 #32:          I just see him in..a white shirt, there's no dinner jacket.
 I'm seeing  the whole atmosphere as one of informality.
 This man feels obligated to the nights.  It's a meeting
 type atmosphere.
 #66:          Describe your surroundings.
 #32:          It's a, again it's a...huge motel room it looks like. I
 can see an imression  that he's wining and.dining with
 somebody all alone.  He wants to be informal, tries to give
 the feeling of being informal.  It's done for a very
 business like purpose.
 #66:          All right, fine.  I have no other questions concerning the
 target or 27 March, 1970, however, I would like to provide
 you the opportunity to comment in that time window.  Do so
 now.
 #32:          Yes.  Always the impression that he's kind of the host, it's
 like the meeting being conducted in somebody else's area
 and he's entertaining them in their area.  I don't have anything
 else.
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 #66:          Okay, fine.  Focus your attention back to the present time.
 back to my voice in the room here.
 Approved For Release 2000/08/0T TTA-RDP96-00788 R001400340001-0