REMOTE VIEWING SESSION #887

CIA-STARGATE

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This document is a remote viewing session report from the CIA's Stargate program. The session took place on July 5, 1978, and was conducted for training purposes only. The viewer's task was to describe a target located at coordinates 42 degrees 44 minutes 20 seconds North and 93 degrees 43 minutes 00 seconds West. The viewer described the target as a low structure on a rise, with a flat immediate vicinity and rugged hills or mountains in the distance. The target was a round building with a square facade, a slightly dome roof, and a cross pattern. The viewer also described the inside of the building as having a dark floor, beige walls, lots of glass, and a metal desk. The viewer felt that the building was a small manufacturing office building. Overall, the session had a considerable amount of correlation, with the viewer's attitude being positive.

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Body:  Approved For Release 2003/0,/X1,4-RDP96-00788R001400310001-3
 INSCOM
 GRILL  FLAME
 PROGRAM
 SESSION REPORT
 CLASSIFIED BY: MSG, DAMI-ISH
 05163OZ JUL78
 REVIEW ON: ~!         oT~
 NOT RELEASABLE TO FOREIGN NATIONALS
 VI       J.T J, FT, A A    Pr
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 Approved For Release 2003/
 SUMMARY ANALYSIS
 REMOTE VIEWING SESSION 887
 1.  (S/NOFORN)  This report provides documentation of a remote viewing
 session conducted for training purposes only.
 2.  (S/NOFORN)  The protocol used for this session is detailed in document
 GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S), undated.
 3.  (S/NOFORN)  Post session analysis on target viewing indicates the
 viewer had a considerable amount of correlation.  The viewer's attitude
 was positive.
 4.  (S/NOFORN)  Following is a transcript of the viewer's impressions
 during the remote viewing session.  At TAB A are drawings and narrative by
 the remote viewer.  At TAB B is target cuing information.  Also included
 is available target data.
 NOT RELEASABLE TO FOREIGN NATIONALS
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 #66:             This will be a remote viewing session for 0900 hours,
 12 April 1982.
 Focus now solely and completely on the target designated
 for today.  Relax and concentrate.
 42 degrees 44 minutes 20 seconds North
 93 degrees 43 minutes 00 seconds West
 Focus and concentrate now, focus.
 42 degrees 44 minutes 20 seconds North
 93 degrees 43 minutes 00 seconds West
 Concentrate on the target and describe it to me.
 PAUSE
 42 degrees 44 minutes 20 seconds North
 93 degrees 43 minutes 00 seconds West
 Target coodinate.
 #63:           E a       , slight rise  target on top of rise.  Low
 s      ure, roadway curved going to    structure.
 #66:           Describe the area surrounding the structure.
 #63:           Flat in the immediate vicinity, rugged hills or mountains.
 #66:           Foliage?
 #63:           Hills               are off in the distance.  Foliage..
 0--unsure I think there's grass, no  ig trees.
 #66:           From overhead now, focus on the target.  From headhead,
 focus on the target and describe only the target to me.
 #63:           Cross pattern and the target is in the middle.  Got a
 round and square target... round targe wi   a=square facade.
 #66:           Stand on the ground now and face the target and describe.
 Back from the target so you can see it.  Back up just a
 In          little bit so you can see all and describe it to me.
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 #63:          Low, vertical line               open areas, coward,
 atriums...flat, slightly dome roof.
 #66:          Describe the activity at the target to me.
 #63:          None.  Feel like it's a small manufacturing office building.
 #66:          Describe the raw data that gives you this perception.
 #63:          Size, lack of large machinery, feeling of building.
 #66:          Describe the inside of the building to me.
 #63:          Dark floor, beige walls, lots of glass, metal building,
 metal desk.
 #66:          Are you alone?
 #63:          Yes.
 #66:          Now outside-----
 #63:                                 In this room I'm alone.
 #66:          Outside again, describe the target from outside, up over
 head, 100 feet up to the oblique, looking down and
 describe.
 rtical lines  flat or slightly domed roof, dark
 patte                      .sort of open area under root,
 cross pattern over roof.
 #66:          Okay.  Now look out and around the target and describe the
 most prominent torrain feature to me.
 #63:          I guess that mountain in the back, not exceptionally  tall,
 jagged, steep vertical rise.
 #66:          All right.  I have one question for you, one and only one
 question.  Describe to me how I can best find this target.
 Describe to me how I can best identify or locate, find
 this target.  Ask yourself how can I best find this target
 and describe your answer to me.
 #63:          The    ldings-best-think I have.  A round building-with
 square facade, lines.  Best I can do."`
 #66:          Okay.  Let's prepare to draw those  impressions you have
 had concerning the target.
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 TAB
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 Approved For Release 2003/09/11 _*~96-g0788R001400310001-3
 REMOTE VIEWING SESSION #887
 (DRAWING NARRATIVE)
 #63:             All right, this is a discussion of my drawings.
 Drawing # 1 is the initial view I got of the building.
 I was standing down at the front of the page looking up
 the driveway to this low structure on a rise.  The area
 was very flat immediately around the building and there
 was a mountain , not a very large mountain, but it had
 a high vertical rise to it.  And it was jagged : and it was
 off in a distance to the back.  And the building was made
 up of a lot of vertical lines and had a flat  or slightly
 domed roof as you see in the drawings.
 Drawing # 2 is a vertical drawing of the building.  The
 square box around the circle is the, what I call the facade
 ica   Ines.     ey were open, light and air would
 pass through them.  And in the corners was a courtyard
 feeling.  And the actual structure is the circle and
 it had some sort of an X, little fancy thing on the roof,
 I don't know what that was.
 Drawing #3 is an oblique version to show the relationship
 of the square facade of open vertical lines in comparison
 to the actual building.  And that's all I have.
 #66:           Okay.  On the inside during the very short time that you
 went to the inside of what you've drawn here, did you
 feel an open or cluttered feeling?  Generally on the inside
 of this, what does it feel like?
 #63:           It was a metal building, sheet metal, glossy paint.  It
 had an open feeling and lots of windows.  And I saw a metal
 desk and chair and there was nobody in that room, but
 I.think there was somebody in the building, like a night
 watchman or something.  I have a feeling that this place
 is closed ri_.now.
 ti
 #66:           Okay.  But a generally open feeling as opposed to many
 subdivisions of offices or something like that?
 #63:           I think it had subdivisions, but it was still open at the
 same.
 #66:           And it had lots of glass?
 #63:           Glass, right.
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 #66:           Okay.  Now, my one other question is, you didn't
 mention here, I see you drew it on your foliage, but
 this is not an area that is in a pine forest apparently.
 #66:           You said that it was, it had grass around it?
 #63:           I think that it was probably planned by the people who
 own it, like a lawn or something.  It didn't seem to be
 doing particularly well.
 #66:           How about in a vast expanse around the target, looking
 around, what you see around the target?  Do you remember?
 #63:           I got a lot of white, but that might be overlay.  Matter
 of fact, let me          that.  I got a lot of white, but
 I have been to Nevada so many times on these things, that
 I said well I can't be in the desert again so let's not
 make it desert, let's put grass and stuff right there.
 But I didn't see trees.
 #66:            Okay.  So it is not a--
 #63:                                    Wooded area.
 #66:            Wooded area.  Now are there other, is it a cluttered area
 of man made structures or open area relatively-.
 #63:           Open area.
 #66:            Okay.  Anything else you have to add?
 #63:            No, that's it.
 #66:            Okay, fine.
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