REMOTE VIEWING SESSION 865

CIA-STARGATE

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Body: Approved For Release 2000/08/07 : 4:8R001400170001-9 
INSCOM 
GRILL FLAME 
PROGRAM 
SESSION REPORT 
CLASSIFIED BY: MSG, DAMI-ISH 
051630Z JUL78 
REVIEW ON: ,E.46  sR/  
NOT RELEASABLE TO FOREIGN NATIONALS 
ORCONSEcRET 
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SUMMARY ANALYSIS 
REMOTE VIEWING SESSION 865 
1. (S/NOFORN) This report provides documentation of a remote 
viewing session conducted for training purposes only. 
2. (S/NOFORN) The protocol used for this session is detailed 
in document GRILL FLAME Protocols AMSAA Applied Remote Viewing 
Protocol (5), undated. 
3. (S/NOFORN) Post session analysis on target viewing 
indicates the viewer had little or no correlation. The 
viewer's attitude was poor. He was disappointed at his 
performance. Lack of target correlation does not necessarily 
mean training objectives were not met. 
4. (S/NOFORN) Following is a transcript of the viewer's 
impressions during the remote viewing session. At TAB A are 
drawings and narrative by the remote viewer. At TAB B is the 
target cuing information. Also included is available target 
data. 
NOT RELEASk ' f REIGN NATIONALS 
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ORCON 
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TRANSCRIPT 
REMOTE VIEWING SESSION 865 
#66: This will be a remote viewing session for 
0900 hours, 23 February 1982. 
PAUSE 
Focus your attention now clearly, perfectly, 
focus your attention 
22 degrees, 10 minutes, 00 seconds North 
121 degrees, 15 minutes, 05 seconds East 
Focus now, relax, relax, coming into view now, 
concentrate, concentrate, and describe the target 
to me. 
#25: Land mass. 
PAUSE 
PAUSE 
#66: Report. 
#25: Desert (mumble) very jagged mountains. 
#66: Look down at the target now, focus down to the 
target now, not too close, and describe it to me. 
#25 Get a gray line...light background, curve like 
a road, valley...but, the mountains are very far 
from the valley. 
#66: Narrower focus now down on the target. 
PAUSE 
#25: (Mumble) flat land...irrigation, ditches. 
#66: Now listen, listen to the coordinates again and 
describe only the target to me. Target is exactly: 
22 degrees, 10 minutes, 00 seconds North 
121 degrees, 15 minutes, 05 seconds East 
nry 
"11111,141111.11111111111111. 
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#25: Same shaped mountains jagged like a serrated 
knife...get a backwards E shape, band in the 
middle...shaped like a backwards E...along side 
it long tubes, metal tubes. 
#66: Okay. Now listen only to the sound of my voice. 
Clear your mind and listen only to the sound of 
my voice. I'm going to try a different approach 
now. Listen carefully and be ready. You focus 
now on the target designated and depicted in the 
sealed envelope. Focus solely on the target designated 
and depicted in the sealed envelope. Focus now 
and describe the target to me. 
PAUSE 
#25: Fruit tree....... ........ 
#66: Go on. 
#25: Nothing. 
#66: All right. I have no further questions,about 
today's target. However, I'd like you now to 
explore and comment on the target as you perceive 
it to be. Do so now. 
#25: Target's southwest from here. It...mountains 
north by ...steep...desert to the south  
(Mumble) thick sheets of metal formed sheets   
like on an airplane or a bus. That's all. 
#66: Okay. Remembering, remembering all the terrain 
you've seen, all of the target that you've seen 
let's prepare now to draw the perceptions you 
had. 
2   
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TAB 
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REMOTE VIEWING SESSION 865 
(DRAWING NARRATIVE) 
#25: Drawing 1 is the backwards E shaped metal 
band. This is an end view of it like a cross 
section view. It's stretched out four ways. 
Drawing 2 is an overhead straight up overhead 
view of the gray band or the road that I saw 
with the mountain range and it's jagged peaks 
that run across it to the top of the page and 
the mountain range was to my back drawn in at 
the bottom of the page. Think my perspective 
was somewhere in here. It's designated by an 
asterisk on the page, but that was the perspective 
for drawing 3. 
#66: Okay. Drawing 3 then is an oblique shot of drawing 
2? 
#25: Yeah. And, I got a feeling that land went for 
a long way behind this thing. I mean miles. 
The gray band is drawn down here-gray band-
and there's a desert floor with sand on it. 
It's light colored. 
#66: You didn't see any man-made objects or perceive 
anything. 
#25: I think that's overlay. I did perceive airplanes, 
but I think that's overlay. I saw lots of tail 
sections of airplanes. 
#66: All right. At one time you talked about farms. 
Where were they in this? Farms and irrigation or 
something. 
#25: Yeah. And, they went on for a long way too. 
I've drawn it here as a rectangle. I'll say 
farm land, but it didn't look like that. It went 
on for more, more ways. And, I got the impression 
of fruit trees, and what do you call those---
truck crops like lettuce and that sort of stuff. 
But, I can't imagine those two growing together. 
It doesn't match. They don't grow in the same 
climate that well. 
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#66: So, basically you think your target is a, a big 
piece of land as opposed to a specific man-made 
object. One time you did think you saw airplane 
tail sections, but you don't like that impression. 
You don't think that that has anything to do with 
the target. 
#25: No. I think that was overlay. Because of the desert 
and the gray band on the road I was trying to make 
this into Tucson, Arizona. 
#66: Drawing number 1, I don't quite understand it. 
#25: Well, it's hard to draw ...because it's made out 
of metal...I don't draw that ... 
#66: Something made out of metal. 
#25: Yeah. It was in this shape, backwards .S made out 
of metal...this post with a metal post...this was 
fastened to this. Now, this reminded me  
highway barrier. What do you call those things 
on the side of the road? A crash..ah   
#66: Oh, I see. I understand what you're saying now. 
The bumper thing that when you go around the curve 
so that you don't run off the highway. 
#25: Yeah. And then...that caused all sorts of overlay 
and because of this image with Tucson, and Tucson 
you know, if you...if you wanted to draw it in it 
would be somewhere in here..... 
#66: Okay. So, I guess what you're saying is, is your 
first impression of the area kind of reminded you 
a lot of Tucson. 
#25: Yeah, yeah. But, I didn't want to let it become 
that. I tried not to although it did at some 
point. And, that's why the airplanes, I think are 
overlay, because of the graveyard at Davis Mocin 
(phonetic) there for all (mumble) airplane. 
#66: And, so that's why you call it overlay? 
#25: Yeah. 
#66: Okay. Anything else you want to comment about? 
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#25: No. I don't feel good. I didn't like it. 
#66: You didn't like the session. You don't feel 
confident. 
#25: No. I have no confidence in this whatsoever. 
And, that might be because you kept sending me 
back to the target. I felt like well, that's a 
screw up. I reported the wrong stuff so I've 
got to back and look again. But I couldn't get 
anything new. 
#66: What do you think about that now: 
#25: I don't know. 
#66: How am I going to know what is a screw up just 
because I asked more information about the target. 
#25: Well, no, sending me back in---you know we're going 
to try something else now--hold up--you know, draw 
back into yourself and wait...... 
#66: So you interrupted that as being what you did already 
was wrong. So you have a bad feeling there. 
#25: Yeah. 
#66: Okay. Anything else? 
#25: No. 
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,,. 
TAB 
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_LHOIAdO 
6-1?000/1?00171.00t188/00-96dati-VI3 L0/90/000Z aseeieu JOd 130A0iddV 
WITHIN SIGHT of Taiwan on a 
clear day, 18-square-mile Orchid 
Island lies some 40 miles off the 
coast of its Nationalist Chinese protec-
tor, which built and maintains six 
schools for islanders and a prison camp 
for Taiwanese convicts here. 
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Stone walls 
line pit 
Typhoon 
from seaward 
Cool tower 
Main house 
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Fireplace with 
cooking pots Veranda Drain 
Entrance Stone steps lead 
(sliding door) to ground level 
NATIONAL, GEOGRAPHIC ART DIVISION 
6 4 ERY HUMBLE," is how this gentle Yami 
V 
couple (left) characterize their people. 
Humble, yet resolute, for they spurn such 
inducements of civilization as modern hous-
ing, offered free by the Taiwan Government. 
The Yamis know that their traditional homes, 
built mostly below ground (top left and dia-
gram above), will protect them from ty-
phoons. To escape the midday tropic heat, 
each family has a "cool tower," where the 
women spend much of their time weaving, 
gossiping, and preening their family mem-
bers' hair (top right). Painted wall carvings 
reveal an Austronesian influence. 
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CPYRGHT 
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22?/O' 494:vaeni 
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