REMOTE VIEWING SESSION 858

CIA-STARGATE

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INS COM 
GRILL FLAME 
PROGRAM 
SESSION REPORT 
CLASSIFIED BY:MSG,DAMI-ISH 
DATED:051630ZJUL78 
REVIEW ON: _44! / 
NOT RE 
GN NATIONALS 
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SUMMARY 
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SUMMARY ANALYSIS 
REMOTE VIEWING SESSION 858 
1. (S/NOFORN) This report documents a remote viewing session 
conducted for training purposes only. 
2. (S/NOFORN) Post session analysis of the target viewing revealed 
little or no correlation. The viewer was disappointed, but 
realized what his problems were. The viewer suffered a great deal 
of stress during the hours prior to the session. He complained of 
a sinus headache during cool-down, during the session and during 
the drawing phase. He also appeared to be hyperactive during 
the entire period. Training goals (RH TGT descriptors) were 
not adequately achieved. 
3. (S/NOFORN) The protocol used for this session is detailed 
in the document Standard Remote-Viewing Protocol (local target) 
by Harold E. Puthoff and Russel Targ, November 1978. 
4. (S/NOFORN) Following is a transcript of the viewer's impressions 
during the remote viewing session. At tAB A are drawings made by 
the remote viewer reference his impressions of the target site. 
At TAB B are photographs of the actual target site. 
NOT RELEASABLE TO FOREIGN NATIONALS 
(7' 
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TRANSCRIPT 
REMOTE VIEWING SESSION 858 
#66: This will be a remote viewing session for 
1430 hours, 9 February 1982. 
PAUSE 
Focus your attention now, focus your attention 
solely and completely on today's target. Picture 
in your mind #63's face and #01's face and explore 
the target with them as they are doing now. 
Concentrate and describe the target to me. 
PAUSE 
#25: Have a long, thin parking lot. Seems like an 
outside toilet and pissed 'cause they're outside, 
#66: Don't talk to me. Just describe the target. 
#25: Getting an impression of a roof, wood, 2 by 4 
construction. Upside.... down on a V shape 
...asphalt shingles. Think that's just .a cover 
house, not a building. It's like a...just a 
roof out there. 
#66: Describe your perspective view. Describe where 
you are. 
#25: Looking ahead, feeling northwest, 
#66: Describe #63's location. 
#25: He's underneath it. But, underneath it's open 
...ceilings just..open beams. 
#66: Describe the activity at the target. 
#25: I'm not getting much. Thought I sensed a car 
going by fast, but I'm not getting any activity 
of people. Saw a woman's face, vague, vague. 
I can't bring her back...getting glimpses of it. 
She's got her hair pulled back tight from her face. 
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#66: Describe #01's activity. 
#25: He's just standing around it. It, one of the 
supports for the roof...this palm of his hand... 
#66: Describe the surface on which #01 is standing. 
PAUSE 
#25: It's a concrete base....something soft over it. 
...softer than concrete, there's a little cushion. 
Just saw a straight, white blind. I don't know 
what that means. 
#66: Describe #63's activity. 
#25: Well, I get the impression #63 is leaning on a 
post. One of 'em got something to eat, I think. 
Eat or drink. It's like a concession stand. 
Keep wanting to put him in a ball field. May 
be boards half way up this thing. They go  
up and down instead of lying horizontal. 
#66: They go up and down. 
#25: Yeah. I mean they (mumble) one ends on the ground 
....one ends up vertical. 
#66: That's fine. Don't talk to me and get involved 
in that. All you have to do is describe. 
Now, #01 has a message for you. Describe the 
message to me. 
#25: Get me out of here. That's what he's saying. 
That's not the message though. I think he's 
forgotten the message. All he's concerned with 
is leaving there now. It's dumb to be where they 
are. 
#66: Describe the imagery which leads you to that 
statement. Describe. 
#25: They're outside in the rain. It's cold. There's 
no reason for them to be there. Nobody else is 
there See a stop light. 
#66: Okay. I have no further questions about the 
target. 
#25: Let me get that message from #01   
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#25: The message doesn't mean anything. I don't 
know what the message is, but it has no 
relevant don't mean anything to anybody. 
..... ..to me anyway .... ...just sort of wishing 
me well, or   
#66: Remember everything you have perceived in its 
complete detail. You may prepare now to draw 
your perceptions of the target. 
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REMOTE VIEWING SESSION 858 
(DRAWING NARRATIVE) 
#25: Okay. I'll describe drawing 1. Drawing 1 is the 
first impression. Inside the curly line is to 
sort of depict how much of the image I saw and 
how it was just sort of suspended in space. Like 
looking through a cloud with a hole in it. I 
didn't see anything on the other side of the  
on the outside of the squiggly circle or squiggly 
square shape, like in the drawing. This V shape 
was just this way made out of wood 2 by 4s and I 
believe that it was part of a roof, but that came 
right away, later. The first impression was of 
the, but it was...well, it was almost at the same 
time that I felt like it was a roof. So, I've 
drawn a line off diagonally here to show that it 
was connected to something. I believe it could be 
a roof. 
Drawing 2 is what that figure became, the 2 by 4s 
and the V are shown in drawing 2, labeled 2 by 4. 
The ceiling, roof is made of asphalt tiles. Inside 
of the ceiling was board with beam construction in 
there. I'll draw a little extra lines to make it 
look like beams. They were sitting on some sort 
of support, I believe it was wood, 4 by 4 size 
roughly. You got through there, you got something 
to eat there, I think. The sides that I've drawn 
and I see that my drawing is not in perspective at 
all, that it's been screwed up in proportion. The 
back looks wider than the front in the drawing. I 
don't know why. I think that's just my lousy drawing. 
The wood sides went up vertically instead of 
horizontally like you would normally see wood, 
buildings laid. The floor was concrete. I believe 
with a soft cover I've written down here. And, I 
have had to fight off the temptation to say that 
it was soft concrete. I drew in these steps, but 
I don't recall seeing those steps in the session. 
But, for some reason they were necessary in the 
drawing part. This may be connected to something 
over in the direction of a hill here. Connected 
to something. 
#66: Okay. This little drawing that you've made of 
something here on 2 you feel is connected to 
something else? 
SECRET  
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#25: Yeah. Because you just wouldn't buy food in 
space there. That's the only reason I think 
it's connected to something. That may be 
analysis in overlay. Anything else on this 
drawing? 
#66: No. I'd like to know.. ..... 
#25: I'd like to put my direction down here. 
Okay. The direction from here, I believe the 
target was southwest. I have no idea on distance. 
#66: Now, you said before the session that you had a 
headache that was bothering you. Did that continue 
through the session? 
#25: Parts that came and went during the session, but 
it didn't seem to be a major point. All I had to 
do was say I didn't want it, and it went away. 
#66: And, from the standpoint of confidence, how do 
you feel about your performance in this session? 
#25: Well, I don't know. I think that I might be right 
on the thing with food. That somehow this target 
is connected with food somehow. But, that may be 
it. I don't know. 
#66: I want to identify with your emotionality about 
this food thing. What is it that tells you that 
you think that it does have something to do with 
food? 
#25: It seemed to me, when you asked me about what 
#63 was doing or something like that, I got the 
impression that he or #01 was considering food. 
It seemed like a hot dog, but I don't know why 
in the world they would eat a hot dog right after 
lunch. Both of them just had lunch. 
#66: Okay. Anything else you would like to add then? 
#25: Nope. 
SLRET 
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Ilmemmotmo0 
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