TRANSCRIPT REMOTE VIEWING SESSION 841
CIA-STARGATE
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Summary:
This document is a summary of a remote viewing session conducted as part of the GRILL FLAME program. The remote viewer was asked to describe the surroundings of a person in a sealed envelope. The remote viewer described a building with giant wooden doors and a medieval flavor. They also mentioned a narrow alleyway street, a leather factory, and an old market place. The remote viewer provided detailed drawings and descriptions of the city layout, including main roads, a train station, and a cathedral. The target cuing information indicated that the target was an individual whose photo was in the envelope.
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INSCOFI
GRILL FLAME
PROGRAM
NOT RELEASABLE f `i IGNs'NATIONALS
ORCON
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CLASSIFIED BY:MSG,DAMI--ISFi
DATED: 05I630L JU1.78 1117 REVIEW ON:
X0'46 0"-?
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REMOTE VIEWING SESSION 841
1. (S/NOFORN) This report documents a remote viewing session conducted
in compliance with a request for information.
2. (S/NOFORN) The remote viewer's impression of the target are provided
as raw intelligence data, and as such, have not been subjected to any
intermediate analysis,.evaluation or collation. Interpretation and use
of the information provided is the responsibility of the requestor.
3. (S/NOFORN) The protocol used for this session is detailed in the
document GRILL FLAME Protocol, AMSAA Applied Remote Viewing Protocol (S),
undated.
4. (S/NOFORN) Following the session the remote viewer was interviewed
for his impressions. At TAB A are drawings and narratives concerning the
drawings made by the remote viewer, reference his impression of the target
site. At TAB B is target cuing information provided the remote viewer.
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RME
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#72: Who else is with the man in the photo?
PAUSE
+02 #06 Ah...this building: is standing alone...by its
self.
#72: All right. I now want you to go out of where
the person in the photo is. Go to the street.
Look at the building. Describe it.
#72: This will be a remote viewing session for
21 December 1981 with a start time of
1000 hours.
REMOTE VIEWING SESSION 841
It is now 10 o'clock. Our target for today
is the person whose photo is in the sealed
envelope. Concentrate on the person in the
envelope. Locate the person in the photo.
Describe where he is.
I got an impression of a basement... underground
rooms.. .white stone...walls like ......... ?.....
I saw somebody in a dark blue coat moving there,
walking around.
#06
Gray...see some giant doors...very large, wood
doors. They, ah, cover a courtyard. It's like
a road there...heavy, iron bolts, wood doors.
White stone framing around the windows........
Saw wall of white with windows on the second
floor...giant wooden doors. It's like double
layered wood, and they're slanted. It's a whole
row of building. Has a medieval flavor to it.
#72: All right. Go out the main entrance to the
street...main entrance to the street. Describe
where the building is on the street.
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Very narrow. Almost like an alley. It's, ah..
away from the main road on the.alley...near a
leather factory, it looks like. It's just an
impressionable leather factory....a very old
section of a town...... Main street is straight,
but its alleys are all crooked.. See..ah...like ah..
light industry and warehouses... all connected.
Very old.
#72: All right. I want you now to raise yourself.
up above the ground. Raise into a perspective
that you can look down and see the city. Describe
how the city looks.
+09 #06 . Got a round, city outline with the river again.
Only the city is shaped like an oblong. It's
got an old part.and.a new part. There's a.......
it's like in a...... low valley bordering mountains.
#72: Find the main road which leads into the.city...
the main road which leads into the city.
##06 This is a bridge road. The narrow bridge road.
Goes, ah,....comes in from the east, southeast
...see it's a . crooked. road. Goes across the
bridge....it...east,southeast and then it turns
southeast, and then goes. east. Comes into the
city and then goes north. Saw some kind of a
......a.large freeway...separate, separate
freeway.. There-is another road from the main
road that goes ...west, southwest. That's.a much
older road, that parallels the freeway........
The road goes north. It goes-through ...one
more town and the mountains..................
It's like a crossroads town, but an old...real
old crossroads.
#72: All right. Come back to overlooking the city.
Pick out the land marks in the city.
#06 Saw like ah...main, main road through the town...
big traffic circle. There's a park in the center,
and, ah....see it faces a church or a large
cathedral and a train station. That's a train
station. It's got a lot of art form& in the
front of it. It's ahvery .modern..... Across the
street it's old art forms. Got a stone work.....
#72: From the train station, where is the building
with the man in the photo?
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##06 : Umm....just a minute.
#72: All right. On the alleyway street. What
distinguishes the house with the m.an from the
other house, homes on the street?
Go left...to...3rd block, left again.....
and follow that street, and, ah,...it's
perhaps, ah..six, six streets, and then on the
right is an alley. It'.s in the alley on the
left. Think there's water there.....water
nearby........ Little cars. Only little cars
can.go;in the alley. Keep going straight there's
a ..very old market place. Two more blocks down
the road there's a market place. You can only
walk there. You can't.drive there. Impression
of carts, market carts.
+19 #06 . Dark gray, no windows on the ground, .only the
doors, and the windows and the door are framed
in white, white like white stripe. This is an
entry to a courtyard. Old, very old.
#72: That is all I have for you at this time. Is
there anything you wish to add?
(See TAB A for description of drawings
Ah...just a minute.
I have.
, that's all
#72: At this time I want you to return to this place.
Return to this room. Relax, take a deep breath,
relax.
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TAB
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REMOTE VIEWING SESSION 841
(Description of Drawings)
#06 . Okay. Page 1 is a large.topographic map
type outline. I put a guide on the left
.....so.that you can translate it. The old
cities are.depicted by squares, and the new
city boundaries are in dotted lines. So,
you can see they're all kind of running, beginning
to running together these cities....because these
are like industry in modern type areas.
Heavy black line is the super highways and
the double heavy black lines are the rivers.
Inverted Vs are mountains. And, then, the
old road, I drew in red. The old road is
important because that, that is upon which I
do my other drawings. That goes up in the
mountains and hits a series of places. But,
this city is like a crossroads, you know. The
main highway either north or south of this city
breaks off to different other main towns after
coming down out of the mountains.
Page 2 is the old road in the center of the
old city. Now,.this page, the dotted line
represents the. boundaries of the old city,
and the way.....there's.like a double river that
comes together at the base of the old city.
And, there's now a super highway that cuts
right through this whole mess. Ah.....the old
road comes in, goes under the super highway and
across the, the river.. I indicated where the
traffic circle is and all.that shipped to the
river. And, it goes on out the other side,
and there's like a branch-that turns out to the
south. I'm a little confused here. I get an
impression like there's coastline on both sides.
But, one or the other might be a lake. or something.
Oh, I indicated mountains on here too. There's
mountains all on the north.
Page 3 is a closer shot of the old traffic
circle, and I got a train station with a rail-
road track coming across the parallel bridge,
a bridge parallel-to the old road bridge, crosses
the river, and ....this is. one of these old
fashioned old bridges, youkknow. With the...
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...i?t's built. on the little piles of stone
in the center. Very old bridge. I'll draw
those in.
And, traffic circle has got like a nice
park area in the center, and all that. And,
a train station.is across on the one side,
and the cathedral is on the other, and of course,
this.is all real old town, you know. All buildings
... all jammed together in here with cobblestone
streets and everything.. And, you pass the train
station, four.roads, or the 3rd city block, you
make a left, and you go down 6 roads to the
light industry old warehouse district.
Page 4 depicts those 6 blocks. And, if you
were to keep going on this road you would wind
up in a market down on the river. You know.
Like the river goes on down to this. market..
I've indicated that this-is water...... That's
really the river, and you go down, one, two,
three, four, five, six streets or the end of the
sixth block and there's this narrow-alley like
street that jogs down-through there. And, about
the third or fourth door down on the left side
is the, the building with a courtyard.
And page 5, I've depicted this narrow alleyway
of cobblestones with the buildings all jammed
together. These old warehouse type buildings.
I didn't get a feel like it was residential,
although there might be some residences over the
warehouses, but, it's like a real old, old time
stucco type warehouse buildings...all jammed
together down there. And, this thing had real
heavy doors.with slant wood that was.double laped
and big, heavy iron bolts going through it, and
the big, you know, the iron rings. And, white
framing around the windows and the door with a
courtyard inside. It had the big heavy tile.......
clay tile roof and the wall was gray, dark gray.
And, that's it, I guess.
#72: Okay. On number 4, are these the only streets?
#06 . No. These are the streets I noticed. There
could be a whole lot more.streets in there
though. But, I just got a feeling like this was
the sixth-street down on the right. One, two,
three, four, five six. I was counting streets
going to the right. So, you know there could be
a whole lot of.other streets in there, but, that's
the feel I got.
#72: All right. I don't have anything else. End of
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TARGET CUING INFORMATION
REMOTE VIEWING SESSION 841
1. (S/NOFORN) Immediately prior to the session the remote viewer was
shown a sealed envelope and told the target was an individual whose
photo was in the envelope.
2. (S/NOFORN) The remote viewer was asked to locate the individual in
the photograph and describe his surroundings.
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