SUMMARY REMOTE VIEWING SESSION CC35 & CC36

CIA-STARGATE

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This document is a transcript of a Remote Viewing (RV) session conducted as part of the CIA's Stargate program. The purpose of the session was to gather intelligence relevant to the hostage situation in the U.S. Embassy compound in Tehran, Iran. The remote viewer's impressions of the target site were provided, but the viewer experienced difficulty focusing and described disjointed images. The viewer perceived a building on a street, with a second-story window that opened outward from the center. The viewer also described a courtyard scene with walls and a gateway, and had impressions of various vehicles, including a black Cadillac limousine and a blue European car. The viewer did not feel they were making a direct contact with the target but rather a part of the whole situation. This session was conducted in compliance with a request from the Pentagon.

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Body:  Approved For Release 2000/08/07 !
 REMOTE VIEWING (RV) SESSION CC36
 1.   (S)   This report documents a Remote Viewing (RV) session
 conducted in compliance with a request from SOD, J3, OJCS,
 Pentagon,  Washington,  D.C.   The purpose of the session was
 to provide information relevant to the hostage situation in
 the U.S. Embassy compound in Teheran,  Iran.
 2.   (S)   The remote viewer's impressions of the target are
 provided as raw intelligence data and as such have not been
 subjected to any intermediate analysis, evaluation or collation.
 Interpretation and use of the information provided is the
 responsibility of`-he requestor.
 3.   (S"I  The protocol used for this session is detailed in the
 docuumen_t, Grill Flame Protocol, AMSAA Applied Remote Viewing
 Protocol-(S), undated.
 4.   (S)   Following is a transcript of the viewer's impressions
 .during the remote viewing session..   At TAB A are drawings made
 by the remote viewer reference his impressions of the target
 site.   At TAB B is target cueing information provided the
 remote vi-ewer.
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 TRANSCRIPT
 REMOTE VIEWING (RV) SESSION CC36
 #20.5        This will be a remote viewing session (edited for
 security).
 You've had these photos for the last few minutes.
 Had the opportunity to think about them again.
 Now, we want to go back to those photos and describe
 to me where those two individuals are.  Let's go
 back to the area where that one individual was with
 the glasses.  Back to that area first, and tell me
 about it.
 I'm certainly having a lot of difficulty focusing.
 I'm getting a lot of stuff coming through but it's
 #20.5       Just relax.   Relax and concentrate.
 I don't seem to be getting anywhere   What I'll do
 is I'll sit up and try to put down the impressions
 I did have, but I don't feel that comfortable with
 them.
 #20.5       OK.  You know, we don't have to, you know, achieve
 anything.  You had an awful lot of noise.
 Yes.  Well I did, I had some very unusual things.
 embassy.  I was away from the embassy.   OF-R-1 don't
 know, but             perceive a s ree..,.a street just
 *r'nVMG LO
 outside this building.  Or this building was on a
 street.  Uh... uh..seem to focus on a second story
 window in this building.  Now, what's really odd is
 I would look out on the street and there would be....
 it would seem like a normal scene...not too crowded
 not ..... you know.  I would look out again and it would
 be empty.  At one time I looked out, it seemed to be
 crowded and there seemed to be a..uh..a straight line
 of soldier looking type individuals.  I'd say..uh..
 about 10 or 12 in a line going through this crowd.
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 #14           They were in a hurry to get somewhere.  Uh...then
 another bit and piece, I had...uh...I had a strong
 image of a black Cadillac limousine.  Then, I had
 another disjointed image of being inside a courtyard
 with walls, and there was this gateway with an arch
 over it.  Now, that was quiet inside there.  Another
 completely different vehicle, which was a dark blue
 ehicle.   In fact, I saw it from the back.  It kind of
 reminded me of a European type vehicle-like an Opel
 or something, and those were all just completely
 disjointed.  They didn't come together at all.  Each
 one of bits and pieces.
 #20.5      Just couldn't get that one thing to help you focus
 and, I..uh..
 #14        1 don't know.  I just...I didn't feel like I was
 making a connection ..something.  But still there
 was these things that would flash in and flash out.
 The..uh..the building, by the way, probably was two
 stories and an attic, but, it was kind of a.... be...
 yellow or beige stucco.  It seemed to be on a corner
 somewhere.
 #20.5      Did you see an entrance way or anything like that?
 #14        There appeared to be numerous entrance ways.  How do
 I describe it?  I mean....to different buildings.
 It looked like ...uh...looking down the street it looked
 kind of like a residential type place, but, a city
 I residential... you know-with row houses-something
 Isimilar to that.  Uh...but, the one that did come into
 focus towards the end...the building was probably more
 Isignificant, than anything, because, that came back
 everal times...and there was...My...my attention was
 nought to  a set of windows on the second story.  The
 only thing about the windows is that they...there were
 two windows and they opened outward from the center.
 #20.5      Ok.  You feel you want to draw those...uh....
 U
 #14        Perhaps the building, and perhaps the..uh..this type
 of courtyard scene I had was.. vivid.
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 #14          It almost seemed like I was...if I had to describe
 it...like I was jumping back and forth in time.
 All over the place.  Not being able to focus on a
 point in time.  Because, as I said I perceived a
 street.  It was empty.  I perceived it again.  It
 had the normal people in it.  I perceived it again.
 It seemed rather crowded.
 #20.5       Well, go ahead.  Why don't we do the drawings of the
 scenes that you recall?
 #14         Ok.
 #20.5       You want the lights on?
 #14         No.  That's ok.
 #14         There was definitely a sidewalk outside in front
 of this building.  That window is where my attention
 was drawn to when I tried to focus on the individual.
 #20.5       This building is located right on a corner.
 #14         It appeared that way.  It certainly seemed that way to me.
 But, the building was a..uh..a light colored.  I would
 say..uh..beige, dirty white, or yellow, but it was a
 stucco type thing.  It seemed like all the street
 activity that I had   was out in this area here.
 In other words, the windows would be facing the street.
 #20.5         You never could tell what relationship this building
 had  to  the embassy compound.
 #14     A No.      It may be a part of the compound, but, I had...
 I had the initial feeling that it wasn't.  It didn't
 have anything to do with the compound.  It may have
 been some..... some ways away .....somewhere in the
 inner city.
 #14           Now,.this courtyard scene I had...it had a totally
 different atmosphere, but it may be related to that
 building somehow.  Again, I don't know how-and I guess
 we'll leave that to somebody else.  This...uh...these
 walls here were either made of brick or stone or some
 type of masonry or something.... and this .... this is
 a heavy arch.... solid ..... I don't know if it was brick
 or if it was.....I would....you know.... analytically
 I would say it was brick-but I'm not guaranteeing it.
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 #14         But it was stone, or masonry ...the same thing that
 these ...uh...these walls were made out of...and,
 I had that this was a vehicle entrance.  I had the
 feeling of vehicle around there somewhere.
 #20.5       How tall is that wall?  Do you have any idea?
 #14         Uh...well as I was standing I had the impression it
 was probably about 8 feet.... roughly.
 #20.5       Ok.  So you couldn't look over from the ground.
 #14         No.  No.  Definitely not.  It was about 8 feet at
 least...and...uh...I didn't see anything.  It was
 empty.  There was nothing.... absolutely nothing
 happening, but, I had the feeling that it related
 to a specific vehicle of some kind.  In fact, of the
 vehicles I saw...uh...it might appear to relate more
 to the Cadillac than anything else.  Or whether it
 was a Cadillac, I don't know, but it was a big black
 limousine... square... she could have been a Mercedes.
 Uh...the blue .... the blue European Opel type car was
 out on the street.  In fact, it may have been out in
 front of this building, because I had a feeling of
 standing on a sidewalk with the building to my side and
 back and seeing this blue car...parked.
 #20.5      That was about it, then.
 #14        Yes.
 #20.5     ,is there anything else that you want to add?
 #14    // No.  Except, I really didn't feel like I was making
 contact with the target.  I was making contact with
 some part of thewhole thing.
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 TAB
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 TAB
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 REMOTE VIEWING (RV) SESSION CC36
 1.   (S)  The viewer has been exposed to open source news media
 information as well as classified overhead imagery.  He knew he would
 be working against the hostage situation in Iran.
 2.   (S)  As in the earlier session (CC35), the viewer was provided
 photos of the following individuals.  Again, he chose NOT to look at
 them.
 ADMIN NOTE:  Outside noise was tremendous and viewer was not able
 to concentrate on the task at hand.
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