INSCOM, GRILL FLAME, PROJECT SESSION REPORT, REMOTE VIEWING (RV) SESSION C-62
CIA-STARGATE
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This document is a session report from the INSCOM GRILL FLAME program, which is part of the CIA's Stargate program. The session was conducted in compliance with a request from OACSI, DA to provide information on a specific target area. The remote viewer was provided with the geographic coordinates of the target and was able to provide relevant information about the area. The session report includes the viewer's impressions and drawings of the target site. The viewer described the presence of guns, towed weapons, a cross section of ivy, dirt roads, lots of traffic, a large shell hitting a concrete square, and a feeling of testing or training in the area. The viewer also described the presence of a track vehicle, mounds that might contain ammunition or personnel, a feeling of a boat or boats, and the presence of a church steeple and other steeples. The viewer observed that there was a significant concentration of activity to the right of the target area and had a feeling of wide openness. Overall, the session report indicates that the viewer was successful in remote viewing the target area and providing useful information.
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INSCOM
GRILL FLAME
PROJECT
SESSION REPORT
CLASSIFIED BY: Director, DIA
REVIEW ON: 31 Oct 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
GRILL FLAME
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REMOTE VIEWING (RV) SESSION C 62
SG1A
SG1A
vw~
provided only the geographic coordinate
needed intelligence information. For this initial session he
1. (S) This report provides documentation of a remote viewing
session conducted in compliance with a request from OACSI, DA.
This office was requested to provide information concerning the
In response to this request the
Officer at the Intelligence Threat Analysis Center (ITAC), INSCOM,
was contacted and briefed on the INSCOM GRILL FLAME Program (IGFP).
He was asked to provide target data and orientation information so
that a remote viewer could be directed to provide relevant and
The mission was to describe the area designated by this coordinate
and determine the activity in the area.
2. (S) Although ambient room noise was very loud during this
session, the remote viewer was able to achieve a better than
usual state of relaxed concentration. The remote viewer was told
that the target was an area - and was provided the above
geographic coordinate. The viewer's images appear to be relevant
to the target site. (See TAB B)
3. (S) The protocol used for this session is detailed in the
document, GRILL FLAME Protocol, AMSAA Applied Remote Viewing
Protocol(S), undated.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made by
the viewer reference his impressions of the target site. At TAB B
is an Overview Analysis provided by the ITAC
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SG1A
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REMOTE VIEWING (RV) SESSION C 62
#28: This will be a remote viewing session (edited
for security).
SG1A
SG1A
All right the target for today is designated
by the geo coordinates
only about that area designated by
PAUSE
PAUSE
Two black. . . long barrel. . Guns.
Firing spoutI
#28: Okay.
#7: Leather. . . (not audible) .
PAUSE
Feeling of smaller. Towed weapons.
PAUSE
Cross section of . . . ivy.
PAUSE
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#7: Strange. . . geometric . . . pattern.
#28: Um hm.
PAUSE
#7: Dirt roads are criss-cross.
PAUSE
Lots of traffic.
PAUSE
Wet, muddy.
Okay.
Large shell. . . just hit . . a big concrete
square. Hard. . . . .
Looks like concrete standing up. Shell hit it.
I don't know.
PAUSE
+10 #28: Describe the principle activity at the area.
PAUSE
#7: What I just . saw would indicate . . .
testing or training.
#28: You're doing very well. Remember in respond-
ing to my questions to simply. . enunciate with
simple, descriptive words. It isn't necessary
to structure your expressions in analysis.
You're doing very well. Hold on to your concen-
tration. Focus on the target and describe it to
me.
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#7: Looks like glacious plate.
PAUSE
Track vehicle.
PAUSE
Quite a few.
Impression of . . .
PAUSE
Feeling of boat, impression of boat.
PAUSE
#28: Describe your position of observation.
PAUSE
#7: Above. Its not. . .
PAUSE
Well, it can't be boat, its . . .
Almost. . . Its about half as wide as is long.
Sharp in the front.
PAUSE
Looks like boat. I don't know, maybe it swims.
There's another. . . .
A wide space.
PAUSE
#28: Where is this in relationship to the area you
previously described?
+15 #7: Its to my left. I . . . I think I'm looking
North. That's the West. Appear to be to the
West of where I saw the guns.
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#7: Very funny, . . . I only saw two. . . two
big guns. There should be more.
No trouble. . . seeing, they're just in the
open.
#28: Describe any personnel in the area.
#7: As though . . . A row of mounds. Look like . . .
I think there's a road going to each one of them.
I can see them. A feeling that they're in the
ground but. . . I can . . I can see them. Maybe
they . . . maybe ammo.
PAUSE
I've been looking for a name.
PAUSE
#28: Look for a main area or a central focal point.
PAUSE
Been looking for address in there, something
like that.
I don't see garrison.
#28: Okay, that's fine. Don't manufacture one if
you don't see one.
#7: I just . ..
Lots of open. . .
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#28: Okay, I want you to take a look at the area from
about 500 feet up. Set in your mind the relation-
ship of the one thing to another. Facing North.
Fix them in your mind. Now before you draw, before
you sit up and draw, I want to give you the
opportunity to say anything that you might want
to say about this target. Anything that you feel
you'd like to add.
PAUSE
+20 #7: Feeling of tracks. . . . tracked. . . training.
PAUSE
Hmm.
#28: Okay.
#7: See . . .
PAUSE
Get a feeling of church steeple. It don't fit.
#28: Okay.
PAUSE
Describe your impression of this church steeple.
PAUSE
#7: I saw it in the upper. . . upper left. Then I
see . . . lots of steeples to the right. Overall
. . . Overall feeling of . . . spiritual.
PAUSE
Something to do with a church.
#28: Okay.
#7: Religious, I guess.
#28: Okay.
Take one last look at the area and then prepare
to sit up and draw.
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#7: Okay.
PAUSE
#28: Let me give you a little bit of light here.
PAUSE
#7: There was one point there. . . . when I started
seeing the church steeple, my pulse quickened.
PAUSE
Palpatation, you know.
PAUSE
That's not anything.
PAUSE
#28: Can you put some labels on these little things?
PAUSE
#7: This is symbolic.
#28: Your church feeling. The church
#7: I think that's symbolic.
#28: That's some sort of symbolic, okay.
PAUSE
#7: I saw a flash of a fence. It was very bright.
I don't think I mentioned it. I only saw a
portion of it and I didn't understand it. I
meant to come back to it and I forgot to.
It was not like chain link. It was . . . I think
it was symbolic. And I only saw a small portion
of it. Like it was rod iron, but I think that
was a symbolic thing.
I was looking down and I saw what I thought was
a boat.
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#7: I don't know, it must have been square across
the front. I later had the feeling it was a
. . . tracked vehicle.
That was about it, wasn't it?
SG1A
#28: Okay.
#7: I had the feeling of a . . a cove down in here
with water but, you know, you could do that in
any direction I threw it out.
#28: Okay.
#7: I thought there was a cove, water, right here.
PAUSE
#28: Before you put your pen away, let
back to Page 1 now and see you've
. . your perception of guns now
the object below it now?
s go through
labeled your
and what's
#7: it . .
#28: Or where is it in relationship. . .
#7: Well, its off to the Southwest.
#28: Okay.
#7: Had the feeling it was more of them, but it
looked like a tank but it didn't look like a
tank. Now that I think of it, you know, that
could be a APC of some kind.
#28: Okay, but its a vehicle or some kind that you
saw?
#7: Yeah, I think so.
#28: Okay, let's write down then on the drawing then,
'vehicle'.
There's the band playing for the ceremony.
PAUSE
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#7:
I really didn't hear it until you mentioned it.
#28: No. They just started just now, so we. . .
#7: Oh.
#28: So we did our session. Okay. Now the. . at the
bottom of the page there is the separate drawing
of a fence that you drew, bottom, Page 1.
#7: Um hm.
#28: Now, did you see that in association with the (not
audible)?
#7: No. It just came on very bright like it was a
. . . red hot. Red hot. White hot.
#28: Okay.
#7: It came on glowing and there was another section,
I see it now, there was another section to the left.
And I thought well this is . . . this is symbolic
- I'll come back and take another look at that in
a minute.
#28: Okay.
#7: But I got a very strong feeling of wide openness
here. I looked for garrison and I couldn't find
garrison. I had a feeling the greatest concentra-
tion, I think, was off to the right.
#28: Okay.
#7: And I think I was looking North (not audible).
#28: Is there any other comments you want to make about
your drawings?
#7: No. I don't . . . I had trouble with trying to
decide what was overlay and what was . . real,
which was kind of interesting.
#28: Okay.
#7: Other than that, no.
#28: Any confidence feelings about . . . any statement
you want to make about your confidence?
1
#7: Yeah, I think its good. I think Wfractured.
I think if I put myself to it I could have really
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have just look in the papers. Perhaps put that
much together because there's not that much there.
#28: Okay.
#7: Okay. Feeling of . . . Feeling of testing.
Practice. I think is good.
#28: Okay.
#7: Yeah.
#28: Okay, fine, that'll do it then.
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TAB
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