SUMMARY REMOTE VIEWING SESSION LXV
CIA-STARGATE
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Open AI Summary
This document is a transcript of a remote viewing session conducted for the purpose of orienting a remote viewer to an applied remote viewing protocol. The remote viewer's impressions showed some degree of correlation with the target. The target was a baseball diamond where kids were playing baseball. The session's protocol was modified from the standard protocol, as a randomly generated target was not available. The viewer reported seeing white pathways, a dome, and an ornate massive structure. The viewer also mentioned seeing paintings on the ceiling and walls. The session ended with the viewer standing on a white pathway and perceiving a dark building.
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INSCOM
GRILL FLAME
PROJECT
CLASSIFIED BY: Director, DIA
REVIEW ON: 30 Jun 99
EXTENDED BY: Director, DIA
REASON: 2-301-C (3) (6)
gco- URJLL FLAME
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ocnaCT
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REMOTE VIEWING (RV) SESSION LXV
1. (S) This report provides documentation of a remote view-
ing session conducted for the purpose of orienting a remote
viewer to an applied remote viewing protocol.
2. (S) The remote viewer's impressions show some degree of
target correlation in this session. The remote viewer seemed
to be able to relax during the session and was able to concentrate
on the task at hand. The remote viewer was happy that the session
was "successful" and looks forward to doing more remote viewing.
The "beacon" was located at a baseball diamond where kids were
playing baseball during the session.
3. (S) The protocol used for this session was modified from
that which will be used in later training. The protocol to be
used in later training is detailed in the document, Standard
Remote-Viewing Protocol (Local Targets) by Harold E. Puthoff and
Russell Targ, November 1978. This session's protocol was modified
in that a randomly generated, preselected target was not used
due to the unavailability of the target pool. In lieu of a
randomly generated, preselected target the "outbounder" or "beacon"
simply chose a site which, in his opinion, was unique and identifi-
able.
4. (S) Following is a transcript of the viewer's impressions
during the remote viewing session. At TAB A are drawings made
by the viewer reference his impressions of the target site.
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REMOTE VIEWING (RV) SESSION LXV
#66: This will be a remote viewing session. (Edited
for security.)
Go ahead and concentrate on #20.5 and as you begin
to perceive him and his location, see if you can
perceive his activity. What he's doing at the
location. What is the location? Describe it to me.
#49: I see something like looking through window panes.
Like a window with a lot of panes. Through this
sort of grill work, I see a white like a sidewalk.
As though I were looking down through this window
pane structure at a white strip about the wid
a sidewalk.
PAUSE
+04 #66: Do you see #20.5?
#49: Ah. . . . I see . . . (Not audible).
PAUSE
I saw, very quickly, the white. . it looked like
went. . either in a whole circle or in a half
circle. White strip.
+06 I see that. Its like I'm above looking down at it.
Its a white semi-circle. For a minute, its as
though, its as though I was above it and it looked
like a circular building.
PAUSE
Could you kill the light?
#66: Um hm.
ILLEGIB
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#49: About the only thing I get, and it comes and goes,
is some sort of white design. I mean a design of
white. . wide pathways or something like that.
#66: Okay. Don't call them that. Just call them
white pathways. Now, we've got the description
of that, let's release that. Let that go. Let's
not worry about that anymore. Let's look for #20.5
again, refocus, look for #20.5 and we'll look for
something else now that's meaningful at the target.
Relax and concentrate. Describe your impressions
to me.
#49: I'm not staying on anything. I got a flash of a
dome. As though looking up at a white dome like
a capitol dome or some sort of capitol building
dome. I've gotten that periodically.
+10 #66: See if you can't focus on #20.5. Really work to
image him at his location. Just relax and concentrate.
(Not audible).
#49: I don't believe the things. . I really don't. But
this is what I thought at the beginning that he's
at the capitol. The rotunda. (Not audible).
#66: Okay, you have described to me the capitol dome and
inside the rotunda and you look up and see all those
things, you look up and see the rotunda (not audible).
#49: Well, its been ages since I've been there. But
I see. . . there are paintings on the ceiling.
#66: Okay.
#49: And there appears to be . . . at least at one
point, it looked like there were paintings on
the wall.
#66: Now, let's let that image go now too. You've
reported it as one thing you saw. Fine. That's
good. But you really don't have to search out
+14 (not audible). Holding the thought in your mind
and where he's located.
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#49: I see some sort of ornate massive structure, you
know, like almost (not audible) architecture.
Portal. . seeing (not audible) and you know
walking through it.
PAUSE
Looking around it.
PAUSE
#66: Okay.
+17 #49: I'm going down some steps. Things like a garden
sort of on the left like a very formal garden.
Sidewalk. There are bushes on each side of the
sidewalk. Very nice (not audible).
#66: Okay.
#49: I'm looking back at it and I see these. . its
some sort of massive building again. I see these
arched. . . entrance way. Its like a colonade.
Like a Spanish architecture. You know (not audible).
#49: (Not audible).
#66; Okay, you have not reported to me that you've
seen #20.5.
#49: No. Because I've tried to see through the lines
(not audible).
#66: Okay. Okay.
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+20 #66: And what are you perceiving now?
#49: Nothing really that I could describe. I'm just
trying to see where (not audible).
I'm not (not audible).
#66: Would you like to draw the things that you
have done so far and maybe we can go back and
look again for something interesting?
#49: Yeah.
(Not audible)
(Not audible)
PAUSE
#66: That doesn't matter (not audible).
PAUSE
#49: Once again, that was my strongest image.
#66: Um hm.
#49: And this one's my strongest image.
#66: Okay then.
#49: Kind of . that I got (not audible).
PAUSE
#66: (Not audible). . .?
#49: Not really. Not that I could draw.
PAUSE
(Not audible). . . Let's see, after that walkway I
saw the walk seemed to go into a "Y". And then it
sort of merged into a sort of loop (not audible)
like that.
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#49: And then it went from that - this is all very clear -
went from that to like a half circle.
#49: And I saw it that way and then I saw a mirror
image of that.
And then, though very briefly. . . Then I was like
I was looking down at a round dome. Actually it
had a building sort of structure. Like that at the
top.
#49: And all awareness just kept merging together until
I saw that and then I (not audible).
#66: Um hm.
Well, that's okay. Its kind of a flowing. . .
#49: (Not audible). . . That was a fairly strong imagery
of some kind.
#66: Okay.
#66: Okay. I'd like you to try one more thing here.
I'd like you to hold one thought in your mind now.
I'll turn off the lights and you concentrate for a
while. I want you to hold one thought in your mind
and I want you to go stand on the pathway. Okay?
#49: Okay.
#66: This is your very first image that you had of some
sort of white pathway. Okay?
#66: I want you to think about one thing; that's going
and standing on the pathway.
#49: Okay.
r's
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#66: Instead of looking at it from a distance go stand
on it and then look around, okay? Let me turn the
light out again so that you won't get the images
on your eyelids, whatever that's called scientifically.
#66: And relax and concentrate for a minute and stand
on that pathway.
#66: See if that's a pathway or something else; part
of something else.
#49: It really seems to go around, looking at it again.
Not a big building. But it seems to go circular
in a circle.
#66: Okay. That's good. Fine. Its a pathway that goes
around in a circle. That's fine.
#49: Some kind of a white line around it.
#66: Okay. I want you to stand on that. Stand right on
there and think about what's on the ground. What's
down? Tell me what's down.
PAUSE
Look right down at your feet and see (not audible).
PAUSE
#49: I seem to be floating above and I can't get down
there.
#66: Okay.
#49: I see a lot of trees.
#66: Get closer down now.
PAUSE
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#49: Very close together. Touching. Contiguous trees.
Are you alone there? Are there other people there?
Are you alone? What's going on there?
PAUSE
Look at the target all around you.
PAUSE
#49: (Not audible). . . .
PAUSE
I don't see it anymore. (Not audible)
#66: Are you still seeing the path that goes around
(not audible)?
#49: (Not audible)
#66: I didn't hear you.
#49: No.
#66: Okay. Now you've lost it.
#49: I'm standing on it.
#66: You're standing on it now.
#49: Well, I mean, I think I am. That was my . . .
#66: Okay. Perhaps you're looking too far away when I
asked you to look down at your feet before. Can
you see (not audible) are you floating now?
#49: No. I'm down on the ground.
#66: Okay. Now. Look down at the ground. Right close
to you. Not out in the distance. Right down close
to you. Look down at the ground and tell me (not
audible).
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#66: You can't see the ground?
PAUSE
#66: Do you perceive yourself to be down on the ground,
standing on the (not audible)?
#49: Not really, I . . .
#66: Try to move (not audible). .
#49: My vision is like looking out, but I don't get any
sensation (not audible).
#66: What do you see if you look straight down the white
path, what's down there?
PAUSE
#49: A kind of dark building.
#66: And down the other direction?
PAUSE
PAUSE
#66: How do you feel about this location (not audible)?
#49: (Not audible).
#66: (Not audible).
#66: Is there anything that you want to add that you feel
(not audible) about this?
PAUSE
#66: Okay.
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TAB A
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