SUMMARY REMOTE VIEWING SESSION C4

CIA-STARGATE

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This document is a summary of a remote viewing session conducted under the CIA's Stargate program. The remote viewer, referred to as #1, initially appeared to be asleep during the session but then awakened and accurately described the target location, which was the Gateway Arch in St. Louis, Missouri. The viewer's impressions included a horse shoe shape, a sensation of cold, black water, and a strong feeling of being alone. The session also included drawings made by the viewer to represent their impressions of the target site.

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Body:  i~   II
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 ORCON/NOFORN
 INSCOM
 GRILL FLAME
 PROJECT
 CLASSIFIED BY; Director, DIA
 REVIEW  ON:  31  Jul  99
 EXTENDED BY: Director, DIA
 REASON :  2- 301-C  (3)  (6 )
 GRILL FLAME
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 Approved For Release 2
 REMOTE VIEWING (RV) SESSION C 4
 1.  (S)  This  report provides documentation of a remote
 viewing session conducted for training purposes to enhance
 a remote viewer's demonstrated ability.
 2.  (S)  This was a most interesting session.  The remote
 viewer appeared to be asleep during the first twenty minutes
 of this session.  After twenty minutes, the interviewer read
 the coordinates aloud, but very softly to the viewer again.
 At this time the viewer seemed to awaken, picked up the sealed
 target envelope and immediately began to describe the target
 location.  The target selected for this session was the Gateway
 Arch, located on the Mississippi River in St. Louis, Missouri.
 The remote viewer's impressions during this session correlate
 very well with the target location (see TAB B).  The viewer's
 strongest and most recurring impression was that of a horse
 shoe shape and he described it as being an opening in the target,
 an entrance or the mouth of the target.  The arch is also known
 as "the Gateway to the West".  The viewer also had a strong
 sensation of cold, black water.  What better way to describe
 the "muddy Mississippi."
 3.  (S)  The protocol used for this session is detailed in
 the document, Grill Flame Protocol, AMSAA Applied Remote
 Viewing Protocol (S), undated.
 4.  (S)  Following is a transcript of the viewer's impressions
 during the remote viewing session.  At TAB A are drawings made
 by the viewer reference his impressions of the target site.
 At TAB B is a map and description of the target site.
 5.  (S)  This session was conducted simultaneously with
 Session C5 which had the same target.
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 #14:   This will be a remote viewing session (edited
 for security).
 All right #l, the time is now 1445 hours and the
 coordinates of this target are:
 38 degrees, 37 minutes, 20 seconds, North
 90 degrees, 12 minutes, 0 seconds, West
 PAUSE
 Go to that location and tell me what you see.
 PAUSE
 #14:   Describe the impressions of the target.
 PAUSE
 The coordinates again are:
 38 degrees, 37 minutes, 20 seconds, North
 90 degrees, 12 minutes, 0 seconds, West
 PAUSE
 I see. I get a very old feeling for some reason.
 PAUSE
 Very distant feeling.
 PAUSE
 +24         I see like a kind of a platform.
 PAUSE
 Like a for some reason I think this is a
 . natural type platform.  I don't feel like
 this is man made.  This is more like a natural
 platform.
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 +25      I sense like a horse shoe shape. object.
 PAUSE
 #14:   How does this horse shoe shaped object relate
 to the target area?
 #l:    Its Its like a its a cover of a Its
 . . Its inner, long. I don't know whatI mean
 by that.  Its like its like a opening in
 the target.  Like the entrance to a target.  Like
 . the mouth of the target -- this horse shoe
 shape.
 I sense a lot fo wind.  Lot of wind and white
 rock, stone.
 Something like stone shelves or cliffs or .
 the edge of a stone wall, or, not a man made
 wall, more of a natural nature type wall, cliff
 wall.  Cold water.  Strong sensation of cold water.
 Black.  Black water.
 #14:   Project yourself above the target area.  Stand
 back and try to get all these things in perspective.
 +29   #1:   Its like looking at the edge of a piece of land.
 Black back drop.
 I wonder. Trying to relate the horse shoe shape.
 Its. Its like I"m looking at like a some
 kind of a covered object - tube or tunnel or
 covering, something that you can go into at
 the target but its. its covered.
 +30         Very strange effect in this target object.  Its
 hard to express what it really is.
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 Its like the edge of the edge of something
 but its water. but that doesn't make any
 sense. .There's no edge to water but that's the
 feeling I have.  Sensation I get.
 Maybe its covered with water.  The target's
 covered with water.  This seems to be an accurate
 description (not audible).  The target's wet.  Its
 either covered with water or there's a lot of water
 on it.  Its wet.  Its wet all over.
 I don't know what it is, but I think the most
 significant thing about this target is something
 silver colored.  Its like a a specific point
 on this target.  Its silver.  Its multi-faceted
 and its got many sides to it.  I see reflecting
 silver.  A lot of reflecting silver.
 +33       That's really all I can see.  That doesn't sound
 like much, but .
 PAUSE
 Unique experience this time.
 #14:   Do you get a feeling of being alone or are there .
 #l:    Very much so.  I'm the only one there.  I don't
 . I've a real unique experience with this
 session.  I don't remember starting it.
 #14:   Would you like to try to go back to your first
 impression.  You described a very old feeling.
 Very distant.
 PAUSE
 +34   #1:   What I've said so far is the target.
 #14:   That's okay.
 #1:
 I'm just really trying not to clutter it with
 anything.  I'm seeing all kinds of clutter and
 crap - its not the target though.  What I sense
 so far is the target.
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 I'm trying to see a pattern to the silver but
 I can't.  I can't see it.  Its like. Its like
 taking a piece of tin foil and crumpling it and
 then trying to smooth it out again.  If I could
 describe that pattern, that's the way it would
 look.  Lots of reflections.
 +40
 #l:
 #14:
 #1:
 +41
 #14:
 #l:
 Its on the outline or the edge of the edge
 of the land, but its wet.
 That's all I get.  I don't remember starting
 the session either.
 Okay.  I wouldn't worry about it.
 Remember when you asked me (not audible).
 PAUSE
 Would you like to draw a little bit?
 Draw.
 Page 1 - I'm going to draw this outline.  Its got
 to be a unique shape.  (Not audible) and rounds
 off.
 This is like an outline like this for some reason.
 I get the impression that it its the form of
 something.  From the side I get the impression
 that its. kind of like this.  Like its I
 don't know.  This is the side view.
 PAUSE
 Top view.  I don't have any idea what it is.
 PAUSE
 But I get a tremendous sense of dark, wet. and
 a kind of the outline kind of goes and comes.
 Page 1.
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 The horse shoe shape now is real I get three
 or four different varieties and views of a horse
 shoe shape.  Except I can't make up my mind
 what it is.  Its like looking angularly from the top
 down.  Its sort of like a like looking at the
 end of a I don't know, an opening or something.
 Put this on Page 2.  Where I put this arrow its
 like an opening.  And I can't quite figure if that's
 an opening in a structure, or an opening in a. .
 like a tunnel or a the shape of a cover or what
 it is, but I get the feeling like I can't .
 If T Damn!
 This is sort of like its the opening or the .
 I gotta keep saying opening when I say the horse
 shoe shape or something.  I'll leave it at that.
 There's like a feeling like there's more like it
 goes into something and there's more of it than
 that although I can't see it.  It becomes part of
 the target and I can't see it for some reason.
 #14:   Did you see anything behind the opening?
 #l:    No.  I can't.  And that's what bothers me.  Its
 like it goes. Its like if you were standing
 outside describing the outline of the entrance
 to a cave, and you knew that that outline persisted
 going into the cave, and you could only say that
 that outline went into something.  That's a very
 rough. very rough comparison type thing.  I saw
 what looked. I'll put this on the same page,
 Page 2 and separate it with a dotted line.  What
 looked to me to be some kind of a platform type
 object.  It had what I think was probably six
 sides.  I don't know if it has six sides or not
 but. sort of went down to a (not audible) black
 area.  (Not audible) and this was very flat.
 PAUSE
 Also on Page 2 separated by dotted lines.
 PAUSE
 I can't I can't draw this other thing, but
 this silver. this silver reflection was like
 I said like taking a tremendous sheet of tin foil
 and cumpling it up.  You know, not into a tight
 ball but kind of just rumpling it up a bit and
 then roughly smoothing it back out so that there
 was many reflective sides.  I get the impression
 of white light and reflected sides were silver
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 for some reason.  You know, I feel that that's
 significant to the target.
 I also feel that its a lot of water there.  I
 mean a lot.  And its cold water.  I see this
 . pattern.  I'm trying to view it from the
 side because I don't seem to be getting much
 from looking at the top.  But I see a No,
 I don't see it either.
 Let's say I sense. sense a sign wave pattern,
 like a rolling pattern from the side.
 +44   #1:   Well, there's only one other thing I can add. .
 that I sense.  And I don't know exactly what
 word to use to describe it.  But, for the lack
 of a better word, we'll call it debris.  I feel
 like there's discareded man made material here
 of varied assundried descriptions.  Its discarded.
 Its material long since not used that sort
 of collects for some reason.  Three major elements
 that I sense is, as far as the discarded material
 is glass, wood and metal.  Light metal.  Light in
 color metal.  I don't know what that is.  I really
 feel strongly about the word debris for some reason.
 #14:   Okay, its now 1530 hours and we'll call it the
 end of session.
 6
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 TAB A
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 TAB B
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